《嗨！自在生活》是一档古今文化对谈节目，“自”者，乃天地之间的自然规律；“在”者，是人与自然规律的距离状态！所谓「自在」，便是人能时常处于自然规律中，将身心融入天地自然大道里。 　　《嗨！自在生活》旨在传播五千年积淀的自在生活观，为观众揭示生活与生命的真谛——什么是“自”，如何达到“在”。让观众在「衣、食、住、用、行」等生活领域中处处运用“自在文化”，做到三百六十度的自在生活状态。

本片展示了加沙四名年轻人的生活，他们试图在以色列-哈马斯战争中幸存下来，因为他们希望停火——这是对战区生活的生动而坚定的看法。以色列不允许外国记者在加沙独立报道。为了制作这部电影，两名驻伦敦的制片人在加沙的地面上远程指导了两名摄影师，历时九个月，他们进入了外国媒体无法到达的关键地点。这部戏剧性的纪录片为加沙人道主义“安全区”内的生活提供了新的视角，展示了持续空袭的日常生活，以及在唯一一家正常运作的永久医院阿克萨为让人们活着所做的努力。

过去几年里，主持人贾斯汀·博内洛一直在研究烹饪，并到访了非洲某些最为美丽且遥远的国家和地区。现在，是时候前进一步，用双层蒸锅取代粗糙铁锅，用烤炉取代原始之火了。在这本季纪录片中，贾斯汀·博内洛将在接下来的3个月里，游遍整个南部非洲，途经9到10个国家，莫桑比克、马拉维、赞比亚、津巴布韦、博茨瓦纳、纳米比亚、莱索托等。他每周都将花上几天时间，和共计13家南部非洲最好且最受欢迎的厨房及餐厅一起，学习如何成为一个更好的厨师。让我们一起来看一看，贾斯汀·博内洛全新的旅程，全新的自在生活。

人类的进化过程，我们的进化开端，类似于拾荒者。我们以土地为生，学会了狩猎和采集，同时，竭尽全力让自己免于沦为食物的下场。随着时间流逝，我们在食物链中上升，变得更有智慧，起码我们是这么认为的。现如今，我们依赖他人为我们提供食物，我们的大部分狩猎和采集工作，都是在超市中完成的。我们并没有意识到，我们的食物习惯带来的重大影响，这种影响不止是对我们人类自己，也包括我们身边的环境。在这部纪录片中，主持人贾斯汀·博内洛将踏上很多段旅程，带领我们，追溯人类进化的脚步，寻找餐桌上的食物的真正来源。

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless SouthEast Asian cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless SouthEast Asian cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.

本片导演以一种难能可贵的幽默之情戏剧化的重现了当年南斯拉夫分崩离析的最初原因和经过, 以夸张的人物造型和超现实的镜头角度极尽挖苦讽刺调侃之能事, 将当年政客的丑陋虚伪, 军人的蛮横冷血刻画得相当戏谑, 让人们在笑声中又感觉到一丝辛酸和苦涩. 实属难得的东欧黑色喜剧佳作. A MUST-SEE! 　　Although being one of the first movies to take humoristic approach towards violent break-up of Yugoslavia, this motion picture is partly based on real events that took place in September of 1991. Few months after Croatia seceded from Yugoslavia, Federal military installations are still present with previously recruited Croatian boys trapped inside. One such installation is a garrison on a small Dalmatian island, commanded by Major Aleksa Milosavljevic. Besieged by local militia, Major Aleksa threatens to blow up ammunition depots with half an island in case of any hostile action. During the stalemate, art historian Blaz Gajski comes from Zagreb in order to rescue his son from the barracks. 　　In the beginning of 1991, the Yugoslav National Army, which does not acknowledge Croatia's independence, is still holding the military barracks throughout Croatia. Blaz Gajski travels to an island in order to retrieve his son from the barracks situated on this island. The atmosphere on the island is intense. The local government has besieged the barracks, and local people have organized a festival in front of it. With their singing and recitals, they plan to force major Aleksa and his soldiers to surrender. But, Aleksa has planted explosives in the barracks and threatens to blow up the island.

记忆如何形成？难道这不是一个涉及遗忘和再创造的过程吗？电影使用碎片化的建筑影像来象征这一记忆构建的过程。摄影机穿越既像电影布景也像废弃地点的结构。我们想起曾经去过的地方，我们在联想。从黑暗的某处传来的澳大利亚配音演员的声音诉说着他在墨尔本上学的细节，讲述了他在异域城市的冒险，并描述了他记忆中的那些建筑。他的声音在渐渐消失，但被录音机所记住。

Six interconnected stories tell the rapid rise and violent fall of rock band 'Stack of Corpses'