本片展示了加沙四名年轻人的生活，他们试图在以色列-哈马斯战争中幸存下来，因为他们希望停火——这是对战区生活的生动而坚定的看法。以色列不允许外国记者在加沙独立报道。为了制作这部电影，两名驻伦敦的制片人在加沙的地面上远程指导了两名摄影师，历时九个月，他们进入了外国媒体无法到达的关键地点。这部戏剧性的纪录片为加沙人道主义“安全区”内的生活提供了新的视角，展示了持续空袭的日常生活，以及在唯一一家正常运作的永久医院阿克萨为让人们活着所做的努力。

Tale of a 15-year-old Australian girl who went missing.

Junseok is the head of human resources at a car parts plant. His boss tells him to cut down the number of people on the production line, and he must meet with each department head to make difficult choices. At home, his wife is suffering from postpartum depression and he tells her to have a day out, asking her to take care of the rent. She parks the car, with her baby inside, at the curb while making the payment, and loses the car. Meanwhile, Hyeontae, the head of the production line at the same plant where Junseok works, is distressed over having to ask fellow workers to resign.

过去几年里，主持人贾斯汀·博内洛一直在研究烹饪，并到访了非洲某些最为美丽且遥远的国家和地区。现在，是时候前进一步，用双层蒸锅取代粗糙铁锅，用烤炉取代原始之火了。在这本季纪录片中，贾斯汀·博内洛将在接下来的3个月里，游遍整个南部非洲，途经9到10个国家，莫桑比克、马拉维、赞比亚、津巴布韦、博茨瓦纳、纳米比亚、莱索托等。他每周都将花上几天时间，和共计13家南部非洲最好且最受欢迎的厨房及餐厅一起，学习如何成为一个更好的厨师。让我们一起来看一看，贾斯汀·博内洛全新的旅程，全新的自在生活。

人类的进化过程，我们的进化开端，类似于拾荒者。我们以土地为生，学会了狩猎和采集，同时，竭尽全力让自己免于沦为食物的下场。随着时间流逝，我们在食物链中上升，变得更有智慧，起码我们是这么认为的。现如今，我们依赖他人为我们提供食物，我们的大部分狩猎和采集工作，都是在超市中完成的。我们并没有意识到，我们的食物习惯带来的重大影响，这种影响不止是对我们人类自己，也包括我们身边的环境。在这部纪录片中，主持人贾斯汀·博内洛将踏上很多段旅程，带领我们，追溯人类进化的脚步，寻找餐桌上的食物的真正来源。

暂无剧情简介

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless SouthEast Asian cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.

暂无剧情简介

本片导演以一种难能可贵的幽默之情戏剧化的重现了当年南斯拉夫分崩离析的最初原因和经过, 以夸张的人物造型和超现实的镜头角度极尽挖苦讽刺调侃之能事, 将当年政客的丑陋虚伪, 军人的蛮横冷血刻画得相当戏谑, 让人们在笑声中又感觉到一丝辛酸和苦涩. 实属难得的东欧黑色喜剧佳作. A MUST-SEE! 　　Although being one of the first movies to take humoristic approach towards violent break-up of Yugoslavia, this motion picture is partly based on real events that took place in September of 1991. Few months after Croatia seceded from Yugoslavia, Federal military installations are still present with previously recruited Croatian boys trapped inside. One such installation is a garrison on a small Dalmatian island, commanded by Major Aleksa Milosavljevic. Besieged by local militia, Major Aleksa threatens to blow up ammunition depots with half an island in case of any hostile action. During the stalemate, art historian Blaz Gajski comes from Zagreb in order to rescue his son from the barracks. 　　In the beginning of 1991, the Yugoslav National Army, which does not acknowledge Croatia's independence, is still holding the military barracks throughout Croatia. Blaz Gajski travels to an island in order to retrieve his son from the barracks situated on this island. The atmosphere on the island is intense. The local government has besieged the barracks, and local people have organized a festival in front of it. With their singing and recitals, they plan to force major Aleksa and his soldiers to surrender. But, Aleksa has planted explosives in the barracks and threatens to blow up the island.